Francesco Maria Piave (1810-76), Verdi's librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbethand Simon Boccanegra. Ella mi fu rapita is the tenors big moment, not only vocally, but also dramatically, allowing for a moment of potential contrast and depth. They met in 1979 in Rabe's home town of Vancouver, married five years . Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. Opera splits things up a little differently, so a mezzo is basically in the soprano 2/alto 1 range, while a contralto is an choral alto 2. His first Gilda! Runtime: 210 min. It will help us make your newsletter content more useful. camera operator Music Department Additional Crew Bartlett Sher . Lisette has given 68 performances as Gilda. Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. #PBSForTheArts is a multiplatform campaign that celebrates the arts in America. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. He does manage some darker tableaus to fit with the general mood of Rigoletto, but he also relies heavily on the now cliched turntable that so many directors have aped repeatedly on the Met stage. John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling. It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. They offer both strong bones and flexibility . Great Performances Season 16 features Metropolitan Opera stars Angel Blue, Isabel Leonard, Lise Davidsen, Ren Pape, Matthew Polenzani, Sonya Yoncheva, Elna Garana and more. Rigoletto has remained a staple at the Met forever. Taking in the work on Monday, Nov. 14, 2022 for the first time in years, her words resonated rather deeply with me. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. The Age - Sat, 19 Feb 2022 . The Act three trio was a mess of sounds without any real grounding and during the final duet, Lass in ciel, the violin syncopations were so accented as to sound plodding and heavy that they didnt fit into the general soundscape of the moment, even disrupting it. He captures the insouciant elegance of the opening scene, with neatly executed turns in Questa o quella, as well as he does the bravado swagger of the final act. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. Rigoletto is the ninth opera Bartlett Sher has directed at the Met. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. 2022-12-22 ANNOUNCEMENT Ekaterina Sannikova signs with TACT for General Management More information is available on the official website of the opera house. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. There were other moments, where the textures simply didnt cohere. 2022-23 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Synopses Solo per me linfamia, instead of bitter and reproachful, sounded sorrowful and hurt in its approach. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. and purity of tone. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Abbonamento a partire da 12,50/mese The moment where this kind of tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo moment. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. She made her Met debut during the 201819 season performing the role of Lauretta in Gianni Schicchi. GREAT PERFORMANCES AT THE MET "Rigoletto", UC San Diego Health steps in to help El Centro hospital stay afloat, Current rainy season could be a drought buster, forecaster says, Settlement reached in Tijuana sewage lawsuit, Brittney Griner urges the return of U.S. detainees abroad at NAACP Image Awards, Washington state attorney general says FDA rules on abortion drug are unreasonable, An Arizona driver is in custody after crashing into bicycling group, killing 2, After a rocky decade, UC San Diego's art gallery is back, Karama presents 12th Annual San Diego Arab Film Festival, Choosing a school for your child? Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. David Frost is music producer and Peter Gelb is executive producer. English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. He has conducted all of the major Italian symphony orchestras, as well as many throughout Europe, and has also led productions at La Scala, Staatsoper Berlin, Dutch National Opera, the Paris Opera, Pesaros Rossini Opera Festival, and in Aix-en-Provence, Valencia, Venice, Madrid, Stuttgart, Zurich, Tokyo, Rome, and Naples, among others. American conductor Karen Kamensek is currently leading Philip Glass's Akhnaten at the Met, the production she made her company debut with in 2019. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. . Anna Yuryevna Netrebko (Russian: ; born 18 September 1971) is a Russian and Austrian operatic soprano with an active international career and performed prominently at the Salzburg Festival, Metropolitan Opera, Vienna State Opera, and The Royal Opera.. Let's hope that this marks the first of many Met visits for her, Bernheim, and Akhmetshina. Rigoletto returns in the spring for five performances May 28June 11, 2022. Note for note, moment for moment, this without any doubt in my mind is the most compelling Rigoletto that Ive heard at the Met in a decade. Of course, Scappucci has license to interpret those tempo indications as she sees fit. Opera in the Park; Don Giovanni (Mozart) . But these emphatic tempi shifts stood out as unrefined for a number of reasons. The French tenor Benjamin Bernheim as the Duke in Verdi's "Rigoletto," which returned to the. Karel Mark Chichon conducts. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. But when Gilda falls in love with the man her father loathes, Rigoletto's thirst for vengeance and desperate attempt to stop fate bring about his own tragic . The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. Cortigiani had its tempo issues and they seemed to overwhelm early on, but he still managed to make the most of the situation, his voice powerful and present, emphasizing Rigolettos anger. Karen Kamensek will conduct the May and June performances of Verdi's Rigoletto, replacing Karel Mark Chichon. Caro nome was a bit of a mixed bag for Feola. The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. mia Gilda was spoken, the effect expressing how empty Rigoletto feels in this moment. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. Visit Website. For up-to-date casting go back to the previous page. The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. But then the turntable starts to move. New York, NY (February 23, 2022)The Metropolitan Opera today announced its 2022-23 season, which features seven new productions, the most in ten seasons.Opening Night is September 27 with the company premiere of Cherubini's Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar's new staging, conducted by Carlo Rizzi. And considering that this is an opera that has been done time and again, it was refreshing to hear her test the limits of what this music could do. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. During the quartet, Bella figlia dellamore, Bernheim delivered another display of glorious legato singing. Verdis Rigoletto is one of my favorites and the use of music to reveal the horrific fact that the Duke is still alive is so chilling, she noted. Giuseppe Verdi's ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in . He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. Tony winner Ivo van Hove will also direct Mozart's Don Giovanni. Benjamin Bernheim filled the auditorium with a sound that was powerful, beautiful and intelligent. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. While she got off to a promising start during that Preludio, the string tremolos surging forward toward the fortissimo orchestral explosions, things started to get a bit hairy once the singers took the stage. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. Karel Mark Chichon conducts. Giuseppe Verdi's Rigoletto December 31, 2021 January 4, 7, 11, 15e, 19, 22e, 25, & 29m, 2022 May 28e, 2022 June 1, 4e, 8, & 11e, 2022 Creative Team Production: Bartlett Sher Scenic Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Cast Conductor: Daniele Rustioni / Karen Kamensek Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. N New Production. However, things started getting a bit off during the dolce sixth leaps on a te and the ensuing sixteenth note runs; the soprano sounded stretched and there was even a moment where she went a bit flat in the runs. In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. As the scene progressed, you could sense him losing hope, his sound diminuendoing. A seven-time Tony Awardwinner, her work has been seen on Broadway in productions such as My Fair Lady, Oslo, The King and I, Golden Boy, How to Succeed in Business Without Really Trying, Born Yesterday, South Pacific, and The Light in the Piazza. Pretty but Pointless. Rigoletto contains a wealth of melody, including one that is among the worlds most famous: La donna mobile. All the operas solos are rich with character insight and dramatic development. Cortigiani starts off with just strings, the violins playing triplet sixteenths, the violas and celli answering with their own intermittent triplet sixteenths, and the bass providing a repeated eighth pedal that lends weight and grounding to the scurrying violins. Personally, the climax of his aria, an interpolated high B flat in the middle of an aria thats always on the move, is really hard to pull off smoothly. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. 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